Today entomology is a subject that brings together scientists and lovers of fine
arts. When pinned in a frame or fixed on a base, insects reveal just one aspect
of their fabulous anatomy. But the desire of handle them is irresistible: we
would like to see, to contemplate, to understand from every point of view. This
need to observe every angle of nature’s most beautiful specimens brought us to
re-shape the classic supports of entomology. That’s why we created a new kind of
insect’s observatory: the “Mecanotrope”.
Legged or winged specimens, mounted upon a mechanism with exposed gears, dance a
perpetual nuptial parade, protected by a glass dome. The unveiling of all of
their aspects, from mandibles to elytra, or rostrums, allows the observer to
understand their anatomy and their beauty. The movement brings back to life
their armoured or scaled sensuality. The mechanical work is a performance in
itself, because the entomological waltz is animated by an arrangement of
pinions, the disposition of which gives life to the whole thing. The carefully
crafted pieces composing the lower part of the Mecanotrope make an echo to the
natural perfection of insects.
Some modifications about specimens are possible on request.
“ Mat ”
Matisse Wessels graduated from ENSAD (Applied Arts National
School of Paris) stage design section in 2006. She studies by the possible
alliance between construction, morphology and movement, her artistic researches
on mechanisms and materials naturally brought her to puppetry. Initially simple
shapes or motionless objects, puppets are able to bring together poetry,
movement and talent with which the puppeteer gives them life. Small or
monumental, her creations often carry the mark of Roland Topor’s black humour.
“ Mao ”
Maurizio Moretti, after
graduating as an aerospace engineer, became a builder of mobile mechanical
structures. He is passionate about recreating animal’s natural movements by
mechanics. He is seeking a balanced mix of technical needs, realism and
elegance.